The Wild Goose Pagoda was finished in 652 AD.
Its five storeys are 60 meters in height. The decay of the earth-cored pagoda caused the new construction of a 10-storey pagoda from 701 to 704. However, the winds of war, in the years to come, reduced the pagoda almost to ruins, which in turn resulted in the construction of a 7-storeyed, 64-meter-high structure today.
The storyed pagoda was an architectural marvel. It was built with layers of bricks but without any cement in between. The seams between each layer of bricks and the " prisms' on each side of the pagoda are clearly visible. The grand body of the pagoda with its solemn appearance, simple style and high structure, is indeed a good example of ancient people's wisdom and talent.
Pictures of the Heavenly King and of Buddha are on the doorframe sand horizontal bars on four sides of the pagoda's base. These stone sculptures display peak workmanship, and show vivid shapes and smooth lines. They now serve as an important source of material for the study of painting and sculpture of the Tang dynasty.
Inside the temple where the pagoda is situated, there are two small buildings: the one on the east side houses a bell, and the one on the west side a drum. The bell, an iron cast from the Ming dynasty, weights 15 tons. Together with the drum, the bell was used to strike time for the monks in the temple.
Inside the Great Hall of the Buddha in the temple there are three incarnations of Sakyamuni. The one in the middle is called Dharmakaya. The one on the west side is called Bao Shen Buddha, and the one on the opposite is called Ying Shen Buddha.
During the Tang dynasty, every successful candidate who passed the imperial examinations would have to climb up the Big Wild Goose Pagoda and wrote poems and inscriptions there. This ritual would symbolize a soaring career in the future.