Molly is at the bottom of Grafton Street, affectionately known as "the tart with a cart"
The statue portrays Molly as a busty young woman in seventeenth-century dress, and is claimed to represent the real person on whom the song is based. Her low-cut dress and large breasts were justified on the grounds that as women breastfed publicly in Molly's time, breasts were popped out all over the place
An urban legend has grown up around the figure of the historical Molly who has been presented variously as a hawker by day and part-time prostitute by night, or, in contrast, as one of the few female street-hawkers of her day who was chaste
Thanks to Mariajoy for the photo, it was so busy around the statue it was impossible for me to take a decent one
In Dublin's fair city,
where the girls are so pretty,
I first set my eyes on sweet Molly Malone,
As she wheeled her wheel-barrow,
Through streets broad and narrow,
Crying, "Cockles and mussels, alive alive oh!"
"Alive-a-live-oh,
Alive-a-live-oh",
Crying "Cockles and mussels, alive alive oh".
Now she was a fishmonger,
And sure 'twas no wonder,
For so were her mother and father before,
And they each wheeled their barrow,
Through streets broad and narrow,
Crying, "Cockles and mussels, alive, alive oh!"
(chorus)
She died of a fever,
And no one could save her,
And that was the end of sweet Molly Malone.
Now her ghost wheels her barrow,
Through streets broad and narrow,
Crying, "Cockles and mussels, alive, alive oh!"
(chorus)
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Directions: From Trinity College head north for the river, cross over O'Connell Bridge and turn right. Custom House Quay its the next quay after Eden Quay.