"P A D O V A" a Padova Travel Page by Nina.M.

The city of Padua, Italy, (It. Padova IPA ['padova], Lat. Patavium) is the economic and communications hub of the Veneto region in northern Italy. The capital of Padova province, it stands on the Bacchiglione River, 40km west of Venice and 29km southeast of Vicenza, with a population of 211,985 (2004). The city is included, with Venice (Italian Venezia), in the Padua-Venice Metropolitan Area, population 1,600,000. Its agricultural setting is the Pianura Padovana, the "Paduan plain," edged by the Euganaean Hills praised by Lucan and Martial, Petrarch and Ugo Foscolo. The city is picturesque, with a dense network of arcaded streets opening into large communal piazze, and many bridges crossing the various branches of the Bacchiglione, which once surrounded the ancient walls like a moat.

Padua claims to be the oldest city in north Italy; the early medieval commune justified itself by a fabled founder in the Trojan Antenor, whose relics the commune recognized in a large stone sarcophagus exhumed in the year 1274.
The historical Padua inhabited by (Adriatic) Veneti thrived thanks to its excellent breed of horses and the wool of its sheep. Its men fought for the Romans at Cannae, and the city (a Roman municipium since 45 BC (query 43?)) became so powerful that it was reported able to raise two hundred thousand fighting men. Abano nearby is the birthplace of the historian Livy, and Padua was the native place of Valerius Flaccus, Asconius Pedianus and Thrasea Paetus

The Palazzo della Ragione, with its great hall on the upper floor, is reputed to have the largest roof unsupported by columns in Europe; the hall is nearly rectangular, its length 815 m, its breadth 27 m, and its height 24 m; the walls are covered with allegorical frescoes; the building stands upon arches, and the upper storey is surrounded by an open loggia, not unlike that which surrounds the basilica of Vicenza. The Palazzo was begun in 1172 and finished in 1219; in 1306 Fra Giovanni, an Augustinian friar, covered the whole with one roof; originally there were three roofs, spanning the three chambers into which the hall was at first divided; the internal partition walls remained till the fire of 1420, when the Venetian architects who undertook the restoration removed them, throwing all three spaces into one and forming the present great hall, the Salone. The new space was refrescoed by Nicolo' Miretto and Stefano da Ferrara, working from 1425 to 1440.

In the Piazza dei Signori is the beautiful loggia called the Gran Guardia, (1493 - 1526), and close by is the Palazzo del Capitanio, the residence of the Venetian governors, with its great door, the work of Giovanni Maria Falconetto, the Veronese architect-sculptor who introduced Renaissance architecture to Padua and who completed the door in 1532. Falconetto was the architect of Alvise Cornaro's garden loggia, (Loggia Cornaro), the first fully Renaissance building in Padua [1]. Nearby, the Cathedral, remodelled in 1552 after a design of Michelangelo, contains works by Nicoḷ Semitecolo (see illustration), Francesco Bassano and Giorgio Schiavone.
The most famous of the Paduan churches is the basilica dedicated to Saint Anthony of Padua, locally simply called "Il Santo". The bones of the saint rest in a chapel richly ornamented with carved marbles, the work of various artists, among them of Sansovino and Falconetto; the basilica was begun about the year 1230 and completed in the following century; tradition says that the building was designed by Nicola Pisano; it is covered by seven cupolas, two of them pyramidal. On the piazza in front of the church is Donatello's magnificent equestrian statue of "Gattamelata" (Erasmo da Narni), the Venetian general (1438-1441), which was cast in 1453, the first full-size equestrian bronze cast since antiquity; it was inspired by the Marcus Aurelius equestrian sculpture at the Capitoline Hill in Rome.
One of the best known symbols of Padua is the "Prato della Valle", a 90.000 sq meters elliptical square believed to be the biggest in Europe, after Red Square in Moscow.
The Church of the Eremitani is an Augustinian church of the 13th century, distinguished as containing the tombs of Jacopo (1324) and Ubertino (1345) da Carrara, lords of Padua, and for the chapel of SS James and Christopher, formerly illustrated by Mantegna's frescoes, largely destroyed by the Allies in World War II, because it was housing a German headquarter. The old monastry of the church now houses the municipal art gallery. Close by the Eremitani, in the site of an old Roman arena, is the small Scrovegni Chapel whose inner walls are entirely covered with paintings by Giotto